

As far as catharsis goes, it's fairly pedestrian, but sure to resonate with anyone throwing their own pity party. On the gauzy "Thru These Tears," he holds his head high, singing "This hurts like hell, but I keep telling myself it's gonna get better." Indeed, life likely has more in store for Klein, but on Malibu Nights, he's embracing the now, wallowing in his misery and searching for a way to heal in understandably dramatic fashion.
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Klein pines for his ex, confessing on "I Don't Wanna Love You Anymore" that "last night I finally cried" and claiming "I don't know what she left me for" on "If You See Her." Sensitivity on full display, Klein doesn't shy away from these journal-entry lyrics as he ponders where it all went wrong ("Thick and Thin") and debates popping open his pill bottle ("Run"). Yet, though the lyrics are rather direct and unpoetic, they might register with anyone who has gone through a tough breakup. Originally titled January - after the month he spent writing these nine tracks of tear-soaked millennial synth pop - Malibu Nights is overly precious, a borderline contrived collection of entry-level emoting familiar to any teenager whose heart has been smashed by a crush. After the dissolution of a months-long relationship, he processed those emotions into the trio's sophomore effort, Malibu Nights. No doubt there will be plenty more albums about heartbreak this year, but rest assured, you won’t be forgetting this record anytime soon.At the tail end of 2017, LANY frontman Paul Jason Klein experienced the worst heartbreak of his soon-to-be-30-year-old life. 2018 has been chock full of 80’s inspired pop and upon one listen to Malibu Nights it’s clear it more than earns its place in the crowded conversation. It would be easy for an album like this to appear calculated or curated for effect, but thanks to the honesty and vulnerability of the songwriting and the rich texture of its arrangements, Malibu Nights is utterly mesmerizing and establishes itself as one of the most resonant pop releases of the year. What truly makes Malibu Nights an accomplished listening experience is the level of sincerity present on every song and in each performance. After the dissolution of a months-long relationship, he processed those emotions into the trios sophomore effort, Malibu Nights.Originally titled January - after the month he spent writing these nine tracks of tear-soaked millennial synth pop - Malibu Nights is overly. The synthesis of their dynamic sound can be witnessed on tracks such as “I Don’t Wanna Love You Anymore,” “If You See Her” and “Let Me Know.” These songs showcase the range and scale of LANY’s sound as they take influence from jazz, indie, ambient, and pop, weaving together their own distinct sound with exhilarating and emotional results. At the tail end of 2017, LANY frontman Paul Jason Klein experienced the worst heartbreak of his soon-to-be-30-year-old life. 2018 has been chock full of 80’s inspired. Credit to Jake Clifford Goss and Les Priest whose drum and synth work respectively lay the foundation for much of the album’s tone and structure. It would be easy for an album like this to appear calculated or curated for effect, but thanks to the honesty and vulnerability of the songwriting and the rich texture of its arrangements, Malibu Nights is utterly mesmerizing and establishes itself as one of the most resonant pop releases of the year. In terms of unity and cohesion as a band, each member of LANY plays off one another with ease and fluidity. With themes such as these, one could assume this is a heavy or downbeat record but surprisingly, thanks to the sophistication and vitality on display, each song remains engaging and refreshing.

Much of the subject matter on Malibu Nights deals with heartache, loss and the longing for past times. Much of the production glistens with style and flair, and lead vocalist Paul Jason Klein contributes with emotionally rich and soulful performances establishing a cohesive tone that is beautifully sustained throughout. Musically, Malibu Nights occupies a moody 80’s synth-pop atmosphere while also incorporating elements of R&B, electric, and dream-pop into the mix allowing for diverse and grand soundscapes. Indie pop group LANY are the latest to take a swing at this particular sub-genre with their recent release, Malibu Nights, and in the process make a case for their progression both sonically and lyrically. A staple in many artists’ catalogs and heralded by listeners for its raw confessions and relatable mood for a late night drive.
